Sammy Hawker ‘Ghosts and Monsters – Symbiosis and interspecies dialogue’

FILM PERFORMANCES: Thursdays – Saturdays at 4pm, Sundays & Mondays at 3pm (duration 19 mins)

 

 

Caterpillars in Metamorphosis, 2023

‘Ghosts and Monsters’ is an immersive visual, aural and scientific exploration into the ways that we see nature.

The exhibition features work created by Sammy Hawker on-site at the Corridor Project – an artist residency programme on Wiradjuri Country, New South Wales, Australia, which invites a diverse selection of creative minds to spend time in the landscape and thus explore different ways of understanding our entwined relationship with nature. 

The works on show reinterpret the corporeal world, treating physical states almost as alternate languages, and finding great beauty in the differences. They explore how experimental art processes can materialise hidden, intangible things into being, bringing to light that which usually exists beyond the scope of vision, reflecting on how sentience and memory is inscribed within materials, sites and bodies. 

Hawker’s practice is in many ways a form of scientific investigation, visually exploring natural phenomena. She describes her works as ‘co-creations’, made in a kind of collaboration with spiders, snakes, insects and birds, for example, primarily in her native Australia. Hawker initially trained as a photographer, and much of the work in the exhibition incorporates photography and photographic processes. 

 

 

 

Biography 

Sammy Hawker

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- Present ]
Sammy Hawker is an Australian-based visual artist working predominantly on Ngunawal/Ngunnawal/Ngambri Country [Canberra Region, ACT]. Through practices of reciprocity (facilitated acts of co-creation) Sammy’s works explore the potential of interspecies dialogue, giving voice to the presences of more-than human worlds. These works raise questions about how sentience and memory is inscribed within materials, sites and bodies. Sammy’s multi-disciplinary practice embraces text, sculpture, photography, sound and moving image. These works form a vast and ongoing archive, documenting sites and moments of exchange.

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