Monotypes

 

Francesco Poiana ‘Luna Rossa’, 2022

This group exhibition at Messums London presented a collection of works that display a remarkable variety of approaches to monotyping, ranging in size, subject matter and practice, as well as showcasing the individual creative language of each of the artists in the exhibition, bringing together an exciting group of contemporary artists whose diverse practices are linked by their exploration of this medium.

Monotypes are created by marking a polished surface with ink or paint and then transferring the reversed image onto a support by applying pressure. As the name suggests, the resulting artwork is unique – the process destroying the initial image. A curious hybrid of painting, drawing and printmaking, monotypes are one of the earliest forms of art making. The neolithic handprints on the walls of caves are technically monotypes; but it wasn’t until the Renaissance that monotyping became prevalent in Western art – famously being practised by artists such as Rembrandt van Rijn, William Blake, Edgar Degas, Henri Matisse and Pablo Picasso. The hybrid nature of the monotype breaks traditional medium boundaries, opening up a broad spectrum of actions, inviting experimentation and spontaneity. While many monotypes are monochrome, artists often use the process as a graphic alternative to painting, layering colour and adding fine detail. The flat polished surface allows for creative exploration of textural mark-making through the use of fabrics, solvents and tools to work into the image. Artists can manipulate areas to create highlights in the final image, in much the same way one might use an eraser when working in graphite.

As part of an ongoing interest in exploring making practices, Messums London presented a series of works by contemporary artists who are delving into the exciting possibilities of this hugely versatile, and eminently accessible medium. The curation covered a broad range of stylistic and technical approaches to monotyping, and sought to introduce collectors to monotypes as a means of acquiring original works of art by established artists at much lower price points than their work would otherwise hold.

Artists include: Motunrayo Akinola, Edmond Brooks Beckman, Elisabeth Cummings, Charlotte Winifred Guerard, Joana Galego, Chris Gollon, Beatrice Hassell McCosh, Tyga Helme, Richard Hoare, Jack McGarrity, Lizzie Munn, Fabian Peake, Francesco Poiana

 

Image (top): Elisabeth Cummings ‘Striped Cups and Lily’ (detail)

Biography 

Beatrice Hasell McCosh

[ 1990
- Present ]
Beatrice Hasell McCosh‘s work uses natural form as the lens to explore emotional themes, identity linked to place and human connection. Drawing is vital to her practise and she uses closely observed studies made from life to make large-scale paintings in her studio. She works as much from memory as from the studies and, in playing with scale, the focus of importance gives way (from direct figurative representation) to a flattened abstraction of those shapes with aesthetic choices relating to composition, texture and gestural use of colour taking on the primary importance.

Tyga Helme

[ 1990
- Present ]
Trained at Edinburgh College of Art and The Royal Drawing School in London, where she won the Machin Foundation Prize, Tyga uses nature as a metaphor for feelings of being overwhelmed. She couples minute observation of the teeming forest floor – where the emerald green of a bramble leaf sits in stark juxtaposition to an array of cold blue silver leaves – with the flux and movement of unceasing gro

Francesco Poiana

[ 1990
- Present ]
Born in Faedis in the North East of Italy in 1990, Francesco Poiana attended the Academy of Fine Arts in Rome and then the celebrated Albicocco fine art printing workshop in Udine before studying for a Masters degree at Central St Martins College of Art in London. He joined the Royal Drawing School in 2019.

Jack McGarrity

[ 1995
- Present ]
Jack McGarrity trained at the Glasgow School of Art, close to where he grew up in the West of Scotland, before moving to London to start at the Royal Drawing School. In 2018 he attended a two month residency at the Museo del Prado in Madrid having been awarded the Richard Ford Award and a year later spent three months in Florence for the John Kinross Award. 

Register Interest

First Name*
Last Name*
Email*
* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails.

Thank You

We look forward to sending you advance information and keeping you up to date. Please check your email inbox for further information from Messums.org