A symposium on the subject of painting today and the Inaugural John Golding Lecture Series. Leading artists, academics, curators and art historians explored contemporary painting dialogues including concepts of abstraction and discussing the current position of abstract painting. The day was divided into two parts, the first of which considered concepts of abstraction and the role of abstract painting and a second session focusing on figuration, landscape and the environment. The event was held in honour of the artist and art historian, John Golding, whose writing and practice represent a framework for analysing and discussing the abstract language. The Inaugural John Golding Lecture Series concluded the day of talks and reflected on his legacy. The event was launched in conjunction with Messums ORG representation of Golding’s estate and dedicated to understanding and updating consideration of abstraction in painting. Golding’s seminal publication Paths to the Absolute (2000) continues to inform thinking on abstract art today.
The morning session of talks formed part of our focus on abstraction. We gathered minds together to share thoughts on contemporary practice and evaluate our understandings of the past. Speakers included Joanna Capon OAM and Dr David Anfam, who considered the inspiration and innovation of abstraction internationally, respectively focusing on Australia and the United States. Dr David Anfam was taught by John Golding and thus his talk honoured Golding’s legacy.
The afternoon session formed part of our representational painting review series and addressed the relationship between figuration, landscape and the environment in contemporary painting practice. Academics, established artists, and the next wave of young painters choosing representational painting as their language examined and shared insights into current preferences and practices to understand its vitality and direction. This session included a panel discussion to debate ideas and open up the conversation with the audience. The finale of the day was be the Inaugural John Golding Lecture Series with the curators of the current John Golding retrospective in Mexico, Dawn Ades and Brenda J. Caro Cocotle, in discussion together with the wider curatorial team from Mexico joining online for the Q&A.
Symposium Schedule
10:00: Arrival and coffee
Morning Session: ABSTRACTION: A Universal Language?
10:30: Welcome: Johnny Messum
10:35: Joanna Capon (Focus on Ann Thomson, Australia)
11:00: David Anfam on Abstract Expressionism (Focus on abstraction in America)
11:40: BREAK
12:00: Panel discussion: State of Abstraction today (Chaired by Dawn Ades)
12:30: Audience Q&A
13:00 – 14:30: LUNCH
Afternoon session: OBSERVATION, FIGURATION AND THE ENVIRONMENT: The Modern Landscape
14:30: Saied Dai on Observation
14:50: Olly Williamson
15:10: Joana Galego
15:30: Jack McGarrity
15:50: Francesco Poiana
16:10: BREAK
16:30: Panel discussion (Chaired by Johnny Messum)
16:50: Audience Q&A
Keynote: INAUGURAL JOHN GOLDING LECTURE SERIES
17:00: Dawn Ades on John Golding / History of painting in Mexico (Focus on abstraction in Mexico)
17:20: Brenda J. Caro Cocotle, Chief Curator, Museum of Modern Art, Mexico, in discussion with Dawn Ades
18:00: Close
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