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by Dawn Ades, Professor Emerita of the History and Theory of Art at the University of Essex   John Golding...

John Golding is a polymath of the visual arts: art historian, lecturer, exhibition organiser, and brilliant, lucid writer on the...

‘Liminal and Lenticular’ brings together the work of two talented ceramicists, Nicholas Lees and Greg Payce, to explore their shared...

An email to fellow artist David Cooper October 2023   David, So good to have you in the studio this...

In the context of the current revival in figurative painting, Eugenie Vronskaya’s work stands out. At first sight her poetic...

Fresh from the launch of Corpus Maris I, commissioned for this year’s Sydney Biennale, and adopting a reduced footprint approach...

The artist today starts with nothing. Everything must be cobbled from scratch. The tradition is a numinous scrapyard, furnishing indispensable...

The powerful inspiration provided by Italy played a crucial part in Brian Taylor’s life as an artist. After he studied at...

I invited Ti to collaborate with me at the Venice Biennale because of his manner and poise as a performer....

On the wall of his studio in Blackheath, South London, Ti Parks had pinned some words by Samuel Beckett (1906-1989)....

Richard Hoare is a painter who lives his paintings. For three decades or more he has followed his own sun-splashed,...

Born in Reykjavík, Iceland, Haraldsdóttir’s works are inspired by Nordic pattern and folklore. Her family was originally from a small...

A February gale had just gone through when James and Catherine Dodds came to visit. The gale had broken the...

John Beard is an artist who has led an adventurous life, leaving Britain in the early 1980s to teach in...

The generation of Frenchmen who reached maturity in the aftermath of Napoleon’s rise and fall shared one emotion above all...

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