Kaori Kato is a Japanese artist whose practice explores the expressive potential of hand-folded paper in the creation of site-specific installations and sculptural works.
She holds a Bachelor of Fine Arts (2008), a Bachelor of Fine Arts (Honours, 2009), and a Master of Visual Art (2010) from the Victorian College of the Arts (VCA) at the University of Melbourne, Australia.
Since returning to Hokkaido in 2013, Kato has exhibited widely across Japan and internationally, including in Australia, the United Kingdom, the United States, Germany, and China. Her wearable paper sculptures were featured in the Vancouver Fashion Week SS 2019 and Western Canada Fashion Week SS 2020 collections, presenting more than twenty distinct designs across the two events.
Kato was a major winner at the Paper on Skin International Wearable Paper Art Competition in Tasmania, Australia, in 2022, and received the Pam and Neil Thorne Award (Award in Honour of Pam and Neil Thorne) at the 2024 edition of the competition.
In 2023, she presented a solo exhibition at Messums West where she created site-specific works within the 13th-century barn. The same year, she was appointed Support Ambassador for Makubetsu Town in the Tokachi region of Hokkaido.
In 2024, she was commissioned by the historic Swiss watchmaker Vacheron Constantin to exhibit over twelve paper sculptures, including three large-scale installations, across its boutiques in Japan.
In 2025, Kato received the Hokkaido Culture Encouragement Award from the Hokkaido Government and the Obihiro City Cultural Encouragement Award from the City of Obihiro.

July 2023
Q. What first inspired your practice?
The inspiration for my work stems from my childhood experiences. I always liked origami (paper folding) and the art of folding has become the foundation of my preferred method of developing my artistic ideas. When I was 17 years old, I left Japan to study in Melbourne, Australia. One day, I had the opportunity to visit the National Gallery of Victoria as one of the excursions for studio art class I was taking at the time. There was a temporary exhibition by Australian based Japanese fashion designer Akira Isogawa showing at the time. There were many folded paper patterns displayed in the exhibition space to demonstrate the production process of his fashion pieces, which absolutely blew me away. I remember my art teacher telling me, “You’re Japanese too. Why not try making some artwork using origami?”
Q. What has been your background / training and how influential has that subsequently been?
I completed my bachelor’s degree in Fine Arts in 2008, Honours in 2009 and my master’s degree in Visual Art in 2010 from the Faculty of the Victorian College of the Arts (VCA) at the University of Melbourne.
Q. Tell me more about your subject matter for your work?
What moments do people genuinely feel ‘beautiful’ or astonished by something? Is it when we find regularity, or is it the moment when regularity and irregularity are in perfect harmony? I concentrate on the sensations of my hands, taking one breath at a time to create a folded line. When I fold sheets of paper to make sculptures, I have to touch the paper hundreds of thousands of times and the sensation of doing so connects with me on a very personal level, as I find this activity the most absorbing.
Q. Why has paper become the principal medium for your practice?
Simply, I like paper from my childhood.
Q. Tell me about the processes involved in making your work.
Mountain Fold and Valley Fold…
Q. How significant is the element of serendipity in your practice?
Very important because I develop my work as I create or as I fold.
Q. What is the inspiration behind the specific works in the exhibition and how do they sit within the context of your work to date?
To explore the forms that can be seen only in the barn.
Q. Who or what has been your greatest influence as an artist? Which artists most inspire you?
Yayoi Kusama, Jean Tinguely, Olafur Eliasson
Q. What is the most challenging element of your practice?
To complete the work in time.
Q. What are the latest developments in your work?
Using Washi that is created in East Hokkaido. Experimenting with the work with light.
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